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Cubes Magazine
Cubes Magazine

LTW Designworks’ Ode To Confucianism At JW Marriott Qufu

A celebration of ancient heritage was perhaps inevitable for a hotel in the birthplace of Confucius. LTW translates the past through a delicate modern framework.

BY Rik Glauert

16 August, 2019

LTW Designworks didn’t have to look far when searching for inspiration for the new JW Marriott in the ancient city of Qufu in China’s Shandong province. With the hotel located just a stone’s throw from the UNESCO World Heritage site known as the Confucius Temple, designers planned a homage to China’s most famous philosopher.


The exterior of the two-story hotel emanates the nearby temple. Beautifully crafted wooden partitions and grand columns reflect the vernacular architecture of Qufu – the birthplace of Confucius.

But throughout the JW Marriott Qufu, LTW references Confucianism’s ‘Six Arts’ – rites, music, archery, charioteering, literacy and numeracy. For the guest rooms, for example, LTW took Confucian literature as a centre point. The saying, “The wise find pleasure in water; the virtuous find pleasure in hills,” inspired the rooms, each set beside a private verandah or courtyard.


The rooms feature a contrasting yin-yang palette of deep brown (to convey the rigidness of the mountain) and white (to illustrate the fluidity of water). Dark walnut wood tiles contrast with an embossed headboard, while a ripple-design carpet aims to create a meditative atmosphere for guests.


In the lobby of the JW Marriott Qufu, a statue of the Great Teacher kneels before a seven-metre-high gingko tree installation formed by intricately weaving scriptures formed from metal. The lobby, lounge and tea house replicate the adjacent temple’s scholar hall. A dark timber-framed glass roof with bronze detailing floods the neutral-toned lobby with light, giving it a fresh, outdoor feel.


Behind the reception desk is a striking, gold-accented wall engraved with falling ginkgo leaves. The feature “intentionally highlights a dimension of space that draws on the ancient and modern, allowing guests to travel between the times,” say the designers.


The spaces are partitioned by a moon gate, behind which dark timber furniture, rattan chairs, low-hanging mesh lanterns and wooden shelves laden with ancient Chinese scrolls and traditional stitched books give the space an intimate, inviting feel.


The tea house meanwhile, pays homage to the The Analects’ value of education; seating areas are surrounded by books, traditional tea sets and artworks devoted to books and musical instruments. Public and private seating areas are petitioned by white ceramic lattice.


On the opposite side of the grand lobby, a romantic stone passageway lit with lanterns leads the way to the hotel’s restaurants. The all-day dining area features dark timber tiles, textured walls, and tawny brown leather seating overlooking the tranquil courtyard.

Meanwhile Residence, a two-story Chinese restaurant, features brings the outside in with the architectural nuances of the traditional courtyard. Here, the traditional wooden door panels of a temple become ornate bronze latticework to create partitions, cover ceilings and window screens.


Read our profile of LTW Designworks in the current edition of Cubes magazine (issue 95).

Photography © Seth Powers.

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