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Boxes In The Wilderness: Alila Villas Koh Russey By Studiogoto

What is the new Cambodian architecture? Studiogoto’s design for Alila Villas Koh Russey inevitably brings up this discourse in its referencing of cultural elements within a contemporary foil.



BY Luo Jingmei

17 July, 2019


It may appear easy to draw a simple cube but the context it is inserted into defines the complexity and meaning of this gesture. The context here is the island of Koh Russey off the coast of Ream in Cambodia’s southern ‘Riviera’, and the cubes refer to 63 ocean-facing villas and pavilions for Alila, adjoined and staggered within native landscaping.

Alila-Villas-Koh-Russey-Accommodation-Garden-Pavilion

Designed by Singapore-based studiogoto, the clean, graphical architectural massing of Alila Villas Koh Russey draws from a key motif the architects have employed as a tribute to the local Khmer culture, as well as a base from which to explore pattern- and form-making.

Alila-Villas-Koh-Russey-Accommodation-One-Bedroom-Beach-Villa

The Cambodian Krama fabric is symbolic of the Khmer people, integrated into their daily lives – as scarves, headgear to project from the sun, for decorative purposes and even hammocks to lull young children to sleep. It formed a key reference point for studiogoto.

“As the Krama is essentially a piece of check-patterned fabric, how do we interpret it in a spatial manner without losing the juxtaposition of the lines?” questioned studiogoto’s co-founder Chioh-Hui Goh.

Alila-Villas-Koh-Russey-Pool-Main-Pool-Sunrise

In plan, it is translated into stepped, sunken lounges tracing the terrain, which has been dutifully retained. Three-dimensionally, it is most dramatic as the reception building’s roof that folds down to shield against the elements. “The lines of running timber create delightful spatial layering and allow integrated lighting to dramatise its geometry,” says Goh.

Alila-Villas-Koh-Russey-Lobby-Welcome-Pavilion

In the main restaurant, the motif manifests as latticed doors and a pixelated ‘mural’ of cubes. “The timber comprises many prominent species found locally in Cambodia, and is meant to encourage discourse and awareness of the local forests. The sizes of these blocks are small as they are recycled from leftover wood cuttings,” shares Goh.  

Alila-Villas-Koh-Russey-Dining-Horizon

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The sizes of these blocks are small as they are recycled from leftover wood cuttings.”

– Chioh-Hui Goh

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This ecological approach adheres to the Green Globe environmental standard that the Alila brand adopts. At Alila Villas Koh Russey, local materials such as local hemp fabric, timbers and stones are used in abundance. Rainwater and surface run-off water are collected and recycled; solar panels on the roof reduce dependency on generator electricity; public spaces are naturally ventilated; and large overhangs support passive enjoyment of the regional climate.

Alila-Villas-Koh-Russey-Accommodation-Two-Bedroom-Villa

Back to the discussion of the ‘cube’: dialogues between inside and outside, privacy and engagement are created with large glazed openings and screens. The simplicity of the form allows focus on the picturesque surroundings and intricate detailing on timber elements.

Alila-Villas-Koh-Russey-Accommodation-One-Bedroom-Beach-Villa

The pure cuboid forms are also miles away from the highly decorative and sculptural tropes of traditional Cambodian architecture, which is most synonymous with the Khmer construction of the Angkor temples. Alila Villas Koh Russey is distinctively modern, yet the appropriation of components influenced by the Krama motif also renders it familiar.

Alila-Villas-Koh-Russey-Accommodation-Two-Bedroom-Villa

“We wanted the end result to also be a piece of work that the local community could feel for – that they could see the resort as a positive and progressive interpretation of their culture and architectural heritage,” says Goh.

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“We wanted the end result to also be a piece of work that the local community could feel for…”

– Chioh-Hui Goh

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To this end, the designers have succeeded. Aside from a brief spate of innovation in the 1950s and 1960s, especially by architect Vann Molyvann, when traditional Khmer architecture merged with elements of regional modernism, architectural evolution has stagnated due to the travesties of the 1970s and the focus afterward on economic development.

Alila-Villas-Koh-Russey-Lobby-Reception

It would be bold – but not wrong – to affirm that the resort’s design paves a new direction for Cambodian architecture.

Alila-Villas-Koh-Russey-Dining-Beach-Shack

Photography: Alila Hotels

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Alila Villas Koh Russey

GFA:  9500 square metres (Phase 1)
Architect: studiogoto (with local QP)
Design team members: Chioh-Hui Goh, Asa Darmatriaji, Ivan Satriatama, Eben Lontoh, Kimberly Toh, Joey Wong
Builder: BSN Construction and Irco-Asia
Civil Engineer: Artelia Vietnam
M&E Engineer:  Artelia Vietnam
Landscape Designer: Ecoplan Asia Pte Ltd
Interior Designer: studiogoto
Lighting Consultant: SWITCH
Structural Materials: Concrete and steel
Fixtures & Fittings: American Standard (bathroom, kitchen, switches, sockets)
Interior Materials: Fabric, timber, metal, stone, tiles
Hardware: Hafele
Decorative Lighting: Assorted suppliers
Interior Furniture and Furnishings: Custom designed by studiogoto


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