Thomas Bentzen presents a friendly and warm character, thoughtful in his responses, intuitive and just a little nostalgic in his approach to furniture solutions for modern working modes. Alice Blackwood meets Thomas at the Muuto stand, at Orgatec.
December 14th, 2022
The Muuto stand, with its careful curation of furniture and edgy colour palettes was undoubtedly a highlight for anyone attending the Orgatec workplace fair in Cologne, Germany, this year.
Everything on stand – from the notepads and pencils sitting on desktops, to the enticing hardcover design reads filling bookshelves – was carefully thought-out. It presented Muuto as a brand that knows how to keep it fresh, effortlessly achieving that tough balance of being at the forefront of things, while also being timeless.
It was within this setting that we met up with the Danish designer Thomas Bentzen (pictured). Bentzen introduced us to his Linear system for Muuto, which finds itself at home equally in spaces of work, education and even airports.
Whether using it as a quick touch-down point or pulling up a chair for a lengthier period of work, the system speaks to Bentzen’s nostalgia for his childhood workspaces. Here Alice Blackwood chats with Bentzen about his designs.
Alice: Tell me about the Linear system you’ve designed for Muuto, which we’re currently sitting at?
Thomas: This is something we’ve created over the past three or four years. It’s called a system, but it’s actually not about being a system, it’s the opposite. It’s bringing the home to the office, so it’s about giving you a feeling of privacy and a closer workspace, where you can do your best while you are at work.
It’s created for touchdown workspaces and new spaces – for educational use, library [spaces], airport lounges, and the office of course. And people are not just buying the desk and putting it up, people are buying the whole package because they want the environment that it creates.
It’s all about creating a space within the space where you can focus and work.
Thomas Bentzen, designer.
It’s really flexible, and [easy to construct] yourself … you can also reconfigure it super easily. You can [configure] it so one end is a work area, and the other end is a meeting area.
We have also created all these accessories so you can adjust it to whatever needs you have. And all the accessories are mounted with a simple nub. You just screw it in from underneath. Super easy to configure!
Alice: You’ve described it as being like a ‘home’ from which you can work…
Thomas: [In designing Linear] I tried to copy the feeling I had when I was a kid and coming to a classic library where they had these small desks with a small roof and a glass frame. It was always a quiet, nice space. So that’s what I’m trying to recreate today, but in a different way. So when you see Linear, [you feel] ‘I want to go here, I want to work, I want to enjoy. This is my home for the next two hours while I work.’
Alice: How did you arrive at the accessories you designed for the system?
Thomas: The way I work is like we are creating mock ups. We are sitting at a desk and figuring out … what kind of accessories will create this atmosphere? What are your needs when you are working together, but also want privacy? So, the screens [for example respond to that question of] much do you need to have the feeling of privacy?
Alice: What do you think the future of work holds for us, and what is the role of design in that?
Thomas: ‘The future: if you want to know about it, you have to create it.’ I remember once a person said this. I’m trying to loop into what I feel is right in what I see. And I see that people want to work [in a mixed way] now.
They want to be at home. When it hits them, they want to go to the office, but they don’t want to go to the classic office. Sometimes they want to sit on the couch and have a meeting. And I think the meetings become faster and better by sitting on the couch instead of in an executive office.
I also think that people want to shift space [as they work] with different people. And so, [there is] this more free environment. I think it helps people feel better at work, but also [feel] more free at work.
Muuto is available through Grafunkt and XTRA in Singapore.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Channelling the enchanting ambience of the Caffè Greco in Rome, Budapest’s historic Gerbeaud, and Grossi Florentino in Melbourne, Ross Didier’s new collection evokes the designer’s affinity for café experience, while delivering refined seating for contemporary hospitality interiors.
Sub-Zero and Wolf’s prestigious Kitchen Design Contest (KDC) has celebrated the very best in kitchen innovation and aesthetics for three decades now. Recognising premier kitchen design professionals from around the globe, the KDC facilitates innovation, style and functionality that pushes boundaries.
Marylou Cafaro’s first trendjournal sparked a powerful, decades-long movement in joinery designs and finishes which eventually saw Australian design develop its independence and characteristic style. Now, polytec offers all-new insights into the future of Australian design.
Paying homage to that wonderful tool of life, the book, SJK Architects’ design for the new headquarters of Penguin Random House is both a temple to the library and a captivating place to work.
With Milan 2024 only a few weeks away, we sneak a view of some of the most exciting pieces set to go on show – from lighting design to furniture, here are nine preview products.
The internet never sleeps! Here's the stuff you might have missed
Boasting unmatched cooking and food preservation capabilities, Sub-Zero and Wolf enable designers to set a new standard for kitchen design, and inspire a higher quality of culinary experience.
Continuing our new series on the design enthusiasts who work in all sorts of different roles across the industry, we hear from Innerspace’s Creative Collaborator and State Manager NSW.