Sightings at Designtide Tokyo and Tokyo Designers Week this November.
20 November, 2011
From 1 to 6 November, the annual Tokyo Designers Week (now in its 26th year), took over Meiji Jingju Gaien as its main venue, and spewed over the city with a series of events, exhibitions and workshops, all following the theme “Love for Earth, People and Objects”.
The smaller but no less inspiring Designtide Tokyo was also back from 29 October to 3 November as a platform to trade design, and to trade ideas. It included the Designtide exhibition, which gave Japanese designers the opportunity to present new thoughts and forms in sustainable design.
Here’s some of what caught our eye at both events…
Roundish chair by Naoto Fukasawa in the latest red fabric and pearl white leather options, the latter being a rare but stunning match with oak.
AT TOKYO DESIGNERS WEEK
Maruni’s Autumn collection showed a wealth of new options.
The Roundish chair is now available with a cushioned seat. It also uses the same fabric as Hiroshima, making colour matching between both series easy.
The very latest Lightwood chair by Jasper Morrison in oak and Sky Blue fabric option.
Roundish chair in oak and new leather option.
The company has also introduced Lightwood in red and black finished birch (the colours stand out well against the wood’s texture) while Hiroshima is now also available in rich walnut.
Hiroshima – a side by side illustration of machine versus handmade.
Tools used during production.
Toshiyuki Kita – Timeless Future exhibition
This was the first large-scale exhibition in 20 years by leading Japanese product designer Toshiyuki Kita, who won the XXII Compasso d’Oro Prize in July this year.
Toshiyuki Kita’s Timeless Future exhibition
The exhibition focussed on important resources and the development of life and culture as well as industrial design. On display were Kita’s vast range of works, including furniture pieces, household items and lighting fixtures. There was also a section devoted to works exhibited at the Milan Triennale.
Truly an attempt by Kita to look into futuristic design, design for the everyday, and traditional industrial design throughout a long-spanning career.
AT DESIGNTIDE TOKYO
With the theme focussing on sustainability, this upcoming young designer, Daisuke Kitagawa, left quite an impression.
His prototype series of everyday products can be used together with his designs. Tolerance by Daisuke Kitagawa is the theme and within it, the Rename collection. The crux of the design is to strip away the name of objects like cups, glasses and jars by ’tolerating’ a wooden extension that changes its original use, hence Tolerance & Rename. By introducing a new function to these readymade objects, Daisuke Kitagawa gives them a new lease of life – and a new purpose, along the way.
Daisuke Kitagawa and his Rename collection
Especially following the great earthquake on 3.11, it’s heartening to see how most of the new ideas generated by these young Japanese designers address sustainability in new and creative ways.
At the Designtide extension in Aoyama – large installations by artists within the Cibone shop.
At Designtide Tokyo – “A piece of natural paper” is 100% natural organic handcrafted paper that can be made into greeting cards, room fresheners, window displays and more.
At Tokyo Designers Week – a section created by the youth from Tohoku (area affected by the 3.11 disaster) to express their thanks to their supporters from Japan and globally.
International companies (such as above, from Taiwan) were also there to participate in Designtide Tokyo.
Tokyo Midtown Design Touch outdoor exhibition
Top image: Toshiyuki Kita’s Timeless Future exhibition
Photos and contribution by Andrew Tan, director, atomi.
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