September 22nd, 2009
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In the pursuit of an uplifting synergy between the inner world and the surrounding environment, internationally acclaimed Interior Architect and Designer Lorena Gaxiola transform the vibration of the auspicious number ‘8’ into mesmerising artistry alongside the Feltex design team, brought to you by GH Commercial.
Savage Design’s approach to understanding the relationship between design concepts and user experience, particularly with metalwork, transcends traditional boundaries, blending timeless craftsmanship with digital innovation to create enduring elegance in objects, furnishings, and door furniture.
Channelling the enchanting ambience of the Caffè Greco in Rome, Budapest’s historic Gerbeaud, and Grossi Florentino in Melbourne, Ross Didier’s new collection evokes the designer’s affinity for café experience, while delivering refined seating for contemporary hospitality interiors.
With millenial travellers looking for a unique, yet affordable travel experience wherever they go, the pressure is on to provide creative design solutions that are spectacular, memorable and, importantly, don’t break the bank account. Bunka Hostel in Tokyo, Japan, by UDS creates a luxe blueprint for budget bunk-bedding.
KPMG proves why agile working is becoming such a successful business model.
Ho Chi Minh City could be Asia’s next garden city. At the forefront of the movement is Vietnamese architect Vo Trong Nghia, changing the perception of ‘green’ sustainable architecture, one project at a time.
A new video provides a behind-the-scenes look at the South Australian Health and Medical Research Institute (SAHMRI) in Adelaide. Woods Bagot was engaged by the South Australian Government to design and deliver the building, which features nine research modules for more than 600 researchers, fostering innovation and improvements in community health services.
The internet never sleeps! Here's the stuff you might have missed
Archie Moore’s kith and kin unveiled in the Australia Pavilion at the 60th International Art Exhibition of La Biennale di Venezia.
Simon Liley, Principal Sustainability Consultant at Cundall, writes about how cyberpunk dystopias haven’t (quite) come to pass yet – and how designers can avoid them.